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Love Simon (2018) Full Movie

In ‘Love, Simon Full Movie’ a Glossy Teen Romance, the Hero Has a Secret: For the most part, Love, Simon Full Movie Online is an amiable, slick, silver-tongued teen romantic comedy. Set in a particularly idyllic Atlanta suburb, replete with lifestyle wish-fulfillment production design, it’s the kind of movie in which the filmmakers signal their exquisite taste by proxy. (Said filmmakers are the director Greg Berlanti and the screenwriters Elizabeth Berger and Isaac Aptaker, adapting a novel by Becky Albertalli.) For instance, when Simon, the lead character, needs to choose an email address from which to send a series of love letters to an anonymous subject, he adapts a lyric from the Kinks’ classic album Something Else by the Kinks. Which Simon enjoys on vinyl, of course.

The reason for the anonymity is that the high schooler Simon is, like his correspondent, gay. He hasn’t come out largely because he’s not sure how to go about doing so, and his continuing reluctance gets him enmeshed with a thoroughly obnoxious weasel of a blackmailer. The blackmailer’s aim is simple: He wants to gain a romantic advantage with one of Simon’s female friends, and while Simon is in a sense too smart for this nonsense, he reluctantly complies.

In the movie’s last third it gains a lot of guts. Simon has to contend with the fallout from what he considered a necessary hypocrisy and the personal betrayals it entailed. The emotional resonance may be surprising given the movie’s relentless gloss, but it’s real. The spectacularly charming cast, led by the young Nick Robinson in the title role (who brings a knowing touch of 1980s Matthew Broderick to some of his line readings), puts it all across, including a genuinely crowd-pleasing ending.

Love Simon (2018)

Love Simon Download Full Movie Online Free: Progress in the Form of Deliberate Banality

Love, Simon Full Movie, a gay teen romance released by 20th Century Fox, is here, and it’s sort of queer—do we need anything else? The movie stars Jennifer Garner and Josh Duhamel as the picture-perfect parents of a high school senior named Simon (Nick Robinson), who’s secretly gay, and who falls in love with an anonymous pen pal he meets through a school message board online. It’s You’ve Got Mail for the Grindr era, but sweeter, and with better playlists.

That, at least, is the logline. The plot, inspired by Becky Albertalli’s 2015 YA novel Simon vs. the Homo Sapiens Agenda, is a little more creative. Simon, online handle Jacques (as in Jacques a dit, French for Simon Says), spends a lot of time emailing back and forth with a guy who goes by Blue. Blue’s longing initial post online, where Simon and everyone else at school first sees it, is about feeling like an outsider. It’s right up Simon’s alley, despite his being gay in more or less the best possible circumstances. He’s got loving, liberal parents, a diverse circle of close friends, and a broader circle of adults in his corner who are sex-positive to the point of making life awkward. They are all ready to accept him should he ever finally come out, but of course that’s not how the anxiety of coming out works, even at a school where Simon wouldn’t be the first. Simon has an unacknowledged role model in a black gay kid named Ethan, who’s got a perm, and who’s been out for two years (unless you’re counting from as far back as whenever he got that perm). Ethan’s been softening everyone up at school by bravely shouldering the brunt of anti-gay social abuse for the past two years, but Love Simon Full Movie, as heartening and well-intentioned as it is, isn’t quite the movie to understand Ethan on those explicit terms, or to explore their ramifications. That’s an advanced lesson, and this movie’s got to stick—and appeal—to the basics. So be it. I’m not here to finger-wag and tell you how much worse off it is for that fact.

Instead, I’m here to tell you that it’s just that basic kind of movie: deliberately non-tragic, scrupulously nonviolent, but notably focused nevertheless on the drama of everyday closeted life for Simon, for whom things get especially sticky when a kid named Martin finds his messages to Blue and blackmails Simon into setting him up with a girl he likes. It’s a premise that understands one of the key takeaways of the closet, which is that sexuality is a valuable piece of intel. It’s also a nice springboard for a few valuable life lessons about friendship and integrity, a handful of strong performances (particularly from the sturdy Robinson and his friends), and some clever writing, which strings us along on Simon’s fantasies about Blue’s identity.

It’s a perfectly fine movie. And because it’s a wide release produced by a major Hollywood studio—the first gay teen romance of its kind—it is a very, very big deal. Can’t we just leave it at that? I don’t especially want to revisit the parts of the movie that made me want to shrivel up into a skeptically uptight ball of Darn. I don’t want to have to write the paragraph about how anyone who knows me knows how I’m apt to feel about a gay movie opening with the line I’m just like you—meaning you, straight people—in 2018. For everyone who cannot predict: This is the kind of thing that makes me liable to have an aneurysm. It’s the sort of open-armed, unthreatening approach to making gayness mainstream that now, as an adult, I’m supposed to remind myself isn’t meant for me, but for closeted teenagers like Simon and their families. As a closeted teenager, I tended to find such efforts as hokey, misleading, and inadvertently alienating as I do now—so where does that leave me in 2018? Pretty much in the same place. Love, Simon is smart enough to gesture at knowing that outright pleas for gay normalcy don’t really cut it. Simon’s opening scroll, about how normal and perfect his family is (mom and dad were high school sweethearts; their middle-class suburban kitchen is perversely clean, well-lit, and overlarge) is initially an introduction for our sakes, but it’s really a practice run for his opening email to Blue, who is also, presumably, normal, and who’d openly self-describe as such. Normal is a word I feverishly hate in this context. I have eliminated it from my vocabulary. I’m trying not to let my hatred for it make me hate this otherwise innocuous movie.

But as a gay critic (another thing I hate: having to start a sentence with as a gay critic) I can’t outrun the fact a movie like Love Simon Full Movie Download puts me in an awkward position. I can’t just review it as I would any other movie; I have to review it as a gay critic talking about a gay movie. I’m supposed to be the voice in the room that writes knowingly, with an eye toward my own coming-out experience, about what’s at stake in a movie like this, what it means for people like me, no matter whether I actually think the movie has any merits beyond the obvious. I’m supposed to have a moment while writing when I notice the day and date and get reminded that this is the Trump era, when public support for LGBT people in America has, according to GLAAD, taken a sudden downturn and calls to the Trevor Project, a suicide hotline for LGBT youth, doubled the day after the election of our current president. This, and only this, is the premise of a response to a movie about a gay teenager coming out to little violence and broad social acceptance. Clearly, there’s an audience that needs this movie, and not despite it being an airy, optimistic fantasy, but rather for precisely that reason.

But an algorithmically controlled blog bot, trained to scan and regurgitate headlines, could tell you all that. The sole advantage of being a human, I guess, is being able to use personal pronouns as I navigate these finer details—and for readers to be able to watch the gay part of me and the critic part of me duke it out for their benefit. Isn’t that the curse of progress as we currently define it? You’re sort of forced to take what you can get, so long as it’s progress. Our general attitude toward any sort of social breakthrough at the movies is to congratulate it, and I’m not above that impulse. Surely, one movie like Love, Simon begets more movies like Love, Simon—which is why Brokeback Mountain, the last mainstream gay movie of similar studio-backed prominence, was released only three presidents ago. Right? I was younger than Simon when Heath Ledger pantomimed spit-lube-fucking Jake Gyllenhaal in a camping tent that was so studiously underlit I may as well have been trying to watch porn without a cable descrambler. But why keep track of how long it’s been since that high-water mark? The stats are bound to be disappointing. Carol, Moonlight, Call Me by Your Name, and other notable films have come out since then, but they either failed to make as much money as Love, Simon has explicitly been designed to make, or they were made by people who knew better than to try.

Watching queer go mainstream in the 21st century entails weighing and reweighing how it feels when the rest of the world keeps reminding you that it’s still playing catch-up—in slow motion, no less. Meanwhile, you’re out and about living your life, or trying to, while having to make the best of that fact. That’s the bargain. Every day I get to wake up and ask myself, Shall I be a bitch about representation today? I typically choose not to be, but it’s never an easy choice. I happen to have no problem with LGBT romance in contemporary movies, or in any other aspect of our lives, and I’d like to think that’s not only because I happen to be gay, but also because I’m not a dumbass. For me, it’s as simple as that, and I see no reason to mince words. But go ahead, America. Take your time.

Love, Simon is unusual for being a movie about a gay teenager that’s getting a wide release—over 2,400 theaters! I wish that meant as much to me as it means for America. I wish caring about this fact didn’t entail ignoring that the movie’s deliberate banality is kind of lame. Queer filmmakers have been teaching us for decades that LGBT movies can be both aesthetically and socially significant—that a movie that makes me feel accepted as a gay man can also, as cinema, cut against the grain of boring art. But those films’ platforms weren’t prominent enough to make a widespread difference. They weren’t getting promoted by 20th Century Fox. Whatever message was being transmitted by films like Bound, Poison, The Watermelon Woman, Paris Is Burning, and My Own Private Idaho, much of America and the rest of the world has still, apparently, not heard it. Hence: Love, Simon. Hence the urgency of a big swing.

As a human, and not a blog bot, I’m supposed to be able to deftly, compassionately navigate the difference between Love, Simon’s essential social role and its limited contributions otherwise. I’m supposed to write to the tune of, But I’m glad it exists. I’m not not glad, but maybe let’s skip all that. The movie is it what is, and if the row of crying teens behind me when I saw it this week is any indication, what it is is meaningful for being so rare for so many. I loathe that that’s the standard—but that’s the standard. I don’t have a replacement. I’m fine going the heartwarming route, because at least it feels good, even if only for as long as it takes to remember how easily heartwarming narratives get forgotten—and how effective politicians, who lie for a living, have proved at making people forget them. Our country is reconvincing itself that acceptance of any form simply isn’t advantageous. That’s terrifying. I can admire that Love, Simon wants to ease that terror by contouring itself to the needs of the biggest possible audience while also remaining at a firm and immovable distance. I’m not mad at the movie for its limited sense of genuine progress. I’m mad that despite those limits, we still so desperately seem to need it.

Watch Love Simon Online

Watch Love Simon Full Movie Online Free: Love, Simon gives gay teens a romantic hero of their own. It’s not great, but it’s enough.

As a piece of filmmaking craft, it’s competent, if unremarkable. The camera exists mostly to capture properly framed images of the actors, and the screenplay serves up a couple of interesting twists and some memorable jokes but also occasionally forgets to develop supposedly important characters. (I don’t think I could tell you one thing about the titular Simon’s best friend, Leah, beyond that she’s his best friend — a relationship I would not have guessed at had Simon not frequently referred to her as such.)

But when you consider that Love, Simon is a major studio release — a teen romance, no less — explicitly about a gay protagonist who’s grappling with the best way to come out to his family and friends, the very fact that it’s so blandly competent seems all the more remarkable. We’re living in a time when gay kids can have their own sweetly mediocre studio movies with all the best intentions. Isn’t that something?

So while I could — and will, in just a moment — write a comprehensive review of Love, Simon, maybe all you really need to know is that the packed audience I saw it with, filled with teenagers and twentysomethings in various romantic permutations, ate it up. They cheered at the final reveal of Simon’s secret pen pal (the other closeted gay kid in his school — the two chat under pseudonyms and don’t know each other’s identities) and at a teacher standing up against bullies. They laughed at the best jokes. The two guys on a date sitting next to me even teared up during the movie’s third act, as Simon finally, painstakingly comes out of the closet to his loved ones.

So pointing out the things that feel a little familiar about Love, Simon feels like being more of a spoilsport than usual. If you feel like you might like it, you probably will. And if you want to know how it works as a movie, hey, stick around. Even those two guys I sat next to, as we exited the theater, started listing the clichés in the story, before finally saying, I still really liked it.

Love, Simon Full Movie can’t quite grapple with some of its story’s emotional turmoil

The best thing about Love, Simon is how it depicts the fact that coming out of the closet, no matter how supportive your environment, is still a difficult thing to do. In its most honest moments, it depicts Simon (Nick Robinson) and his secret pen pal (who posted a message amounting to I’m gay and no one knows on what’s essentially a PostSecret just for the duo’s high school) simply existing in the space where they know they’re gay, but nobody else in their lives does, a kind of possibility space where they can guess at what will happen when their secrets are finally out there, but where they’d rather not just yet.

The movie’s script, by Elizabeth Berger and Isaac Aptaker (adapted from the book Simon vs. the Homo Sapiens Agenda by Becky Albertalli), really digs into the emotional conflict Simon goes through as he builds himself up to coming out, and questions why the emotional burden is on LGBTQ people to come out. (A decently funny montage features his friends all coming out as heterosexual.)

Director Greg Berlanti — best known for his long list of TV credits, including my beloved WB series Everwood, to which this has some superficial similarities, but also the enjoyable 2000 romantic dramedy The Broken Hearts Club, about a group of gay friends — also shoots these sequences in a fashion that fills in fun little visual details as Simon thinks he figures out who his pen pal is, then erases them as he realizes he didn’t make the right guess.

The problem, then, is that the movie feels obligated to have a bigger plot, which ends up being more emotionally fraught than it can handle. When Simon’s secret is exposed to the nerdy, desperate-for-friends Martin (Logan Miller), Martin blackmails Simon into helping him win the affections of Simon’s pal Abby (Alexandra Shipp, in a winning performance that will almost certainly lead to bigger roles).

This blackmail causes Simon to slowly erode various foundations of his friendships with Abby, Leah (Katherine Langford), and stereotypical funny jock Nick (Jorge Lendeborg Jr.). And as his friends find out what he’s done — as they must — the movie isn’t quite sure how to deal with the emotional fallout, mostly relegating it offscreen.

Simon does some genuinely terrible things to his friends, and though the movie is patient in explaining how much of it stems from his need to come out on his own terms, rather than Martin’s terms, it struggles to make Simon’s friends’ reactions match up to the betrayal they’ve experienced.

This ends up being less of a problem than you might expect, largely thanks to how thoroughly the third act turns into the story of Simon realizing how strong his support system is, with some excellent work from Jennifer Garner (still one of the best on-screen criers) and Josh Duhamel as his parents. But the movie does struggle a bit with how to show Simon’s path to some sort of understanding of what he did, mostly just suggesting the passage of time heals all wounds.

Then again, when you’re a teenager, it kind of does. Love, Simon is not a radical departure from the teen comedy format, except for the fact that its protagonist makes it a major departure largely by default. Sometimes, the biggest revolutions happen in places you might not expect them to, and if Love, Simon helps even one gay teen come to terms with their sexuality, in the friendly confines of familiar movie formulas, hey, it was probably worth it.

Love, Simon is playing in theaters nationwide.

Love, Simon [2018]

Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online.

Love, Simon is an upcoming American romantic teen comedy-drama film directed by Greg Berlanti and based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli. The film stars Nick Robinson, Josh Duhamel, and Jennifer Garner. Robinson stars as Simon, a closeted gay teenager in high school who is forced to balance his friends, his family, his email pen pal Blue, and the blackmailer threatening to out him to the entire school. The film is scheduled to be released on March 16, 2018.

Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing. Directed by Greg Berlanti (Riverdale, The Flash, Supergirl), written by Isaac Aptaker & Elizabeth Berger (This is Us), and based on Becky Albertalli’s acclaimed novel, LOVE, SIMON is a funny and heartfelt coming-of-age story about the thrilling ride of finding yourself and falling in love.

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